English 4956 -- Literary Theory Seminar
Instructor:
Alan Bourassa
Time: TTH 10:00 - 11:20 a.m. (EC102)
Office Hours: MW 12:30-1:30, WF 10:30-11:30 and by appointment
(Office ECH 121 )
Tel: 474-1882
e-mail: bourasa1@nb.sympatico. ca
"Literary Theory" may sound like a rather dry subject, very
far from the emotional adventure of fiction and drama. However, Literary
Theory is one of the most interesting and challenging areas of literature.
It begins with the assumption that we are all creatures of language.
We live in language as a fish lives in water. Our political decisions,
our desires, our ethics, even the way we perceive reality are all structured
and shaped by language. What this means is that literary theory can
help us to understand every area of our experience. In fact "Literary
Theory" is almost a misnomer. It does not just deal with literature.
It can be used to understand music, film, fashion, architecture, urban
planning, television, psychology and a host of other subjects. In this
course we will read some of the classic texts of Literary Theory. This
class will be based on our discussions of these texts. It is a seminar
class, so you will be expected to have a lot to say. Make no mistake:
Literary Theory is difficult, but, as the philosopher Spinoza said,
all things excellent are as difficult as they are rare.
Reading List
Julie Rivkin, Michael
Ryan, eds. Literary Theory: An Anthology
Class Packs (to be distributed)
Classes
September
Week 1 Sept. 4-5
Introduction
Wimsatt and Beardsley - "The Intentional Fallacy"
Week 2 Sept
8-12
Saussure - Course in General Linguistics (76-90)
Introduction - Culler - "The Linguistic Foundation" (73-75)
Week 3 Sept.
15-19
Barthes - "Myth Today" (1119-1134)
Fiske - "The Jeaning of America"
Week 4 Sept.
22-26
Storey - "Structuralism and Post-Structuralism"
Austin - How To Do Things With Words (96-100)
Week 5 Sept
29-Oct 3
Frye - "Archetypes of Literature"
Solomon - The Signs of Our Times
October
Week 6 Oct. 6-10
Review of Structuralism and Semiotics
Week 7 Oct.
13-17
Thanksgiving Day
Rivkin and Ryan - "Starting With Zero: Basic Marxism" (231-242)
1st 3 page paper due
Week 8 Oct.
20-24
Marx - Manifesto of the Communist Party (256-261)
Grundrisse (247-249)
The German Ideology (250-255)
"Wage Labour and Capital" (262-267)
Chapter 1: Commodities (268-276)
Week 9 Oct.
27-31
Storey - "Marxism"
Volosinov - "Marxism and the Philosophy of Language" (278-281)
November
Week 10 Nov. 3-7
Fiske - "Culture, Ideology, Interpellation" (305-311)
Ewen - "All-Consuming Images" (1082-1086)
Week 11 Nov.
10-14
Remembrance Day
Adorno and Horkheimer - "The Culture Industry as Mass Deception"
(1037-1041)
Gramsci - "Hegemony" (277)
Week 12 Nov.
17-21
Williams - "Marxism and Literature"
Althusser - "Ideology and Ideological State Apparatuses" (294-304)
Week 13 Nov.
24-28
Benjamin - "The Work of Art in the Age of Mechanical Reproduction"
(282-289)
2nd 3 page paper due
December
Week 14 Dec. 1-5
Review of Marxism and the theory of ideology
Assignments and Evaluation
Your participation
grade will include not only attendance and participation in class, but
also in class assignments and participation in group work.
The papers are due at the beginning of class on the dates specified.
Late papers will be marked down one full letter per day (i.e. one day
late brings a B+ down to a C+). If you have to hand a paper in late
you must tell me BEFORE the paper is due and we can negotiate.
There are certain good reasons for not handing in a paper: family problems,
illness, going out of town. There are certain reasons that won't fly:
hangovers, assignments for other classes, fatigue. Just be reasonable
about handing in your assignments and I will be reasonable if something
unforeseen comes up.
You will be allowed three unexcused absences during the semester. After
that your final grade will be dropped one mark per extra absence (so
three extra unexcused absences drops you from B to C). Again, an unforeseen
crisis will excuse the absence. But if you miss several classes, even
with a legitimate reason, it will certainly reflect on your work and
therefore your grade.
Important Note: Always keep extra copies of your papers on floppy disk, and make an extra hard copy of each assignment. I will be dealing with hundreds of pieces of paper this semester. One or two are bound to get misplaced, so don't put yourself in an awkward position. Always have a backup.
The Secret to the Participation Grade: 20% of your total grade is for participation. This 20% is, in effect, a gift. It is very easy to get an A in participation: just participate. Speak in every class. Make me remember you. If you participate a lot, I will remember. If, at the end of the semester, when I am giving you your participation grade, I remember that you spoke in almost every class, and that you did in-class assignments enthusiastically, you will be on your way to an A in participation. If I remember you speaking a fair amount, you will get a B-range grade. If you just sat quietly -- even if you showed up for all the classes -- I would give a C or lower. Just talk, ask questions, make comments, give an opinion, argue, and you will get a good grade in participation. Simple as that.
Grading
| Seminar presentation # 1 | 5% |
| Seminar presentation #2 | 5% |
| 3 page paper # 1 | 10% |
| 3 page paper #2 | 10% |
| Response portfolio | 10% |
| Participation | 10% |
| Seminar presentation #3 | 5% |
| Seminar presentation #4 | 5% |
| 8-10 Page research paper | 20% |
| Response Portfolio | 10% |
| Participation | 10% |