The cover of
this issue is dedicated to the Mary Banner, which has hung in the St.
Thomas University Chapel for 13 years. Imagine that banner recreated
in stained glass. Imagine another stained glass window commemorating
our rich history going back to the University’s establishment
at St. Michael’s Academy in 1860. Right now we have the opportunity
to create this legacy.
A
few months ago, St. Thomas University undertook the task to replace
the ten large windows that dominate the chapel. Five windows have already
been replaced with modern energy efficient glass that will maintain
the charm of the room and increase the comfort level considerably. As
part of the renovations, we have a chance to enhance the beauty of the
chapel by installing two stained glass windows. With the support of
the Diocese and the University, a small group of chapel community members
have joined together to make this new and very worthwhile project happen.
The project will cost $80,000 to complete and donations are currently
being accepted. The committee would be happy to discuss a giving plan
with you (memorial gifts or tribute gifts are also being accepted).
All donations will be recognized on a special memorial plaque in the
chapel and receive a tax receipt. Since 1964, the chapel has been the
heart of the campus and a place for both the university and broader
community to gather in faith. Please join us and be part of this wonderful
legacy. For more information contact: Campus Ministry at keoughan@stu.ca
or by phone at 506-452-0643.
The
Mary Banner designed and made by Marjorie Wathen Aitken, December 1990
The
theme of this banner is a meditative and reflective exploration of feminine
characteristics, combining the worlds of myth and a contemporary Christian
contemplation of Mary.
MARY
The Mary of this banner is a young pregnant woman, a solid fertility
symbol reminiscent of the earliest artifacts of Minoan times and of
African carvings, which unites her with nature, fecundity, and creativity.
Expectant, waiting, she holds the ball of the world in her hand, a world
of red, brown, black, yellow, and white races. What we see through the
eyes of Mary are the symbols of an inner reality.
THE
TREE
In the playground of this world is a dual tree. It is the tree of knowledge
around which twists the serpent tempter, and the serpent healer. It
is also the tree of life whose fruit gives ‘everlasting life’
and ‘whose leaves are for the healing of the nations’. On
its branch sits a cockerel, a reminder of Peter’s and our denial.
THE
SHELL
In her humanity Mary chose to listen to the word of God. As a child
by the seashore picks up a shell and listens to the sound, so the shell
at her feet represents curiosity, inquiry and interior listening. A
child’s pail and shovel play with the sands of time and our frail
boats sail forth on a spiritual adventure.
THE
FISH AND MOON
The Christian fish circle the seas and the tree roots, while a crescent
moon in the waves at Mary’s feet represents tides, times and the
reference in Revelation to ‘woman clothed in the sun for her mantle,
and the moon at her feet’.
THE
VEIL
In some cultures women are veiled. The veil here suggests a mystery
eternally present, always hidden. From Phoebus Apollo the sun god to
the Light of the World, Jesus Christ on the Cross is at eye level with
His Mother, in the cross of the window. The other two crosses indicate
the others crucified.
THE
TRINITY
Three circles, the circle of light, the circle of Mary’s motherhood
and the circle intimated by the bird of the Holy Spirit are equal in
size and distance to illustrate the trinity of Father, son and Holy
spirit. The pillar at the right supporting an arch, hints at a Palladian
window and classical architecture, and suggests Mary, Our Lady of Wisdom.
THE
CITY
The distant city can interpreted as the Rome of ‘non nobis sed
urbi et orbi’, ‘not for ourselves but for our city and the
world,’ a place of political and social action.
Connections
Spring 2003 / Alumni / STU
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